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Anthropocene, Spaceship Earth, Bee, Beach Rose-1, 234.6 MB
Anthropocene, Spaceship Earth, Bees, Beach Rose-2, 189.5 MB
Anthropocene, Spaceship Earth, Bees, Boneset Flower, 454.5 MB
Series "The Ecosystem around Spaceship Earth" is licensed under
Creative Commons Attribution 4.0 International License. Credit must be given to the creator.
Show: Japanese / 日本語
Hide: Japanese / 日本語Anthropocene, Spaceship Earth, Bee
第三に、人新世のほとんどは貨幣経済における、際限のない物質的欲望の蓄積です。 私たちは生き方を再構築する必要に直面しています。 デジタルアートの最大の特徴は、本物のアートを無限にコピーできることです。 それは金銭崇拝の貪欲な物質の所有欲を破壊し、アートの異常な金融商品的な価値を回復させて、個々の鑑賞者とのつながりを復活させます。 このビデオは CC ライセンスの下で無料で配布されています。
Hide: Japanese / 日本語
This project focuses on three main themes. First, the artist explores the interplay between human and digital senses in perceiving the world. The art explores the relationship between seeing and hearing through the activity of bees, using an algorithm to extract and play musical notes from binary color data in bee images.
Second, the ecosystem of Spaceship Earth is precarious and in crisis. The ecological threat endangers humans, bees, and other species. The consequences reverberate through ecosystems, disrupting the delicate balance that sustains life. We are on the brink of ecological collapse, underscoring the need to reevaluate our relationship with the earth.
Third, much of the Anthropocene is an accumulation of endless material desires in a money economy. We are faced with the need to rebuild the way we live. The greatest feature of digital art is that real art can be copied infinitely. It destroys the greedy material possessions of the worship of money, restores the abnormal financial commodity value of art, and revives its connection to the individual viewer. This video is distributed for free under its CC license.
Show: Kenji Kojima's Biography
Hide: Kenji Kojima's Biography
Kenji Kojima is a digital artist. Since the early 1990s, he has been experimenting with the relationships between perception and cognition, technology, music, and visual art. He was born in Japan and moved to New York in 1980. He spent his first 10 years in New York City painting with egg tempera. The personal computer improved rapidly in the 1980s. He felt more comfortable with computer art than painting. He converted his artwork to digital in the early 1990s. He developed the computer software for his artwork. But there was a big problem, the software soon did not work on the operating system. He converted his artwork to video while it was working. His ecology-based software and video art were exhibited in New York and at media art festivals around the world. After Covid-19, he could not go out to make a video. In 2021 he started a new series called "The Musical Interpretation of Paintings". At the end of 2023, he returned to his art theme of ecology. LiveCode programmer. Kenji Kojima Resume
Hide: Kenji Kojima's Biography