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Bees disappearing, A warning decree,
The planet's crying out, Let it be,
It's time for change, For you and me.

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if you approve of the video as art.
Even if you disapprove, you can keep it.
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Download: 1920x1080
• Bee Dances (Beach Rose), BeeDancesBeachRose_1080.mp4, 328.8 MB
• Buzzin' Bees, Where You at?, BuzzinBee_1080.mp4, 147.4 MB
• The Rockets Make the Planet Cry, TheRockektsMake_1080.mp4, 181.8 MB
• The Rockets Make the Planet Cry (Japanese / 日本語字幕), 181.8 MB
Download: 1280x720
• Bee Dances (Beach Rose), BeeDancesBeachRose_720.mp4, 328.4 MB
• Buzzin' Bees, Where You at?, BuzzinBee_720.mp4, 63.3 MB
• The Rockets Make the Planet Cry, TheRockektsMake_720.mp4, 181.7 MB
Show: Japanese / 日本語
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生態学的脅威により、人間、ミツバチ、その他の種が危険にさらされています。 その影響は生態系だけでなく気候変動にも波及し、生命を維持する微妙なバランスが崩れます。 私たちは生物学的崩壊と気候変動との瀬戸際にあり、地球と人間と生物の関係や価値観を、再評価する必要があります。気候変動の原因の多くは貨幣経済における終わりのない物質的欲望の蓄積です。 私たちは生活の価値観や様式を再構築する必要に直面しています。 そのひとつデジタルアートの最大の特徴は、本物のアートを無限にコピーできることです。 それは金銭崇拝による貪欲な物質的所有を破壊し、芸術の異常な金融商品価値を回復し、個々の鑑賞者とのつながりを復活させます。 このビデオは CC ライセンスに基づいて無料で配布されています。

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Ecological threats put humans, bees, and other species at risk. The impact is not only on ecosystems, but also on climate change, disrupting the delicate balance that sustains life. We are on the brink of biological collapse and climate change, and we need to reevaluate the relationships and values between the Earth, people, and living things. Much of the cause of climate change is the never-ending accumulation of material desires in a monetary economy. We are faced with the need to rebuild our values and our way of life. One of the greatest characteristics of digital art is that real art can be copied infinitely. Digital art destroys the material possessions of greedy usury to reform the extraordinary monetary commodity value of art and revive the connection with the individual viewer. This video is freely available under its CC license.

Show: Kenji Kojima's Biography
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Kenji Kojima is a digital artist. Since the early 1990s, he has been experimenting with the relationships between perception and cognition, technology, music, and visual art. He was born in Japan and moved to New York in 1980. He spent his first 10 years in New York City painting with egg tempera. The personal computer improved rapidly in the 1980s. He felt more comfortable with computer art than painting. He converted his artwork to digital in the early 1990s. He developed the computer software for his artwork. But there was a big problem, the software soon did not work on the operating system. He converted his artwork to video while it was working. His ecology-based software and video art were exhibited in New York and at media art festivals around the world. After Covid-19, he could not go out to make a video. In 2021 he started a new series called "The Musical Interpretation of Paintings". At the end of 2023, he returned to his art theme of ecology. LiveCode programmer. Kenji Kojima Resume


Digital Art Exhibitions:
the USA: 2024 OtoZono at HEART, New York. / 2024 the New Media Art Space at Baruch College, New York. / 2024 All Street, New York / 2023, 2020 Torrance Art Museum, Los Angeles, USA. / 2023 THE ELASTIC MIND, BROWARD College, Weston, Florida. / 2023 SOJOURNER, New York, NY. / 2022 Asian American International Film Festival, New York, NY. / 2012, 2016 Light Year, Brooklyn, New York. / 2021 UNCG International Sustainability Shorts Film Competition, UNC Greensboro, NC, USA. / 2019 The Harold B. Lemmerman Gallery, New jersey City University, Jersey City, NJ. / 2019, 2016, 2015 Williamsburg Art & Historical Center, New York, NY. / 2018 The Exchange, Bloomsburg, PA. 2018 WhiteBox, New York, NY. / 2015 ACM SIGGRAPH Digital Arts Community. / 2014 MediaNoche, New York, NY. / 2008 AC Institute, New York, NY.
 Europe: 2024 Profusion of Colors, A.E. Corner, Galleria di Tirano, Viale Italia / 2024 Summer of Anthropocene, The New Museum of Networked Art, Cologne, Germany / 2024 DIGITAL VIDEO ART INTERNATIONAL STREAMING FESTIVAL 'The films of the Official Selection 2024', Vienna, Austria / 2024 Technocene Berlin Templehof, Germany. / 2024 Open Media Art, Košice, Slovakia / 2024, 2023, 2022, 2020, 2019 Ie Rencontres Internationales Traverse, Toulouse, France. / 2021 FEX comtemporary media art, Cologne, Germany. / 2020 Institut für Alles Mögliche, Stützpunkt Teufelsberg, Belrin, Germany. / 2019 The festival BINNAR, Vila Nova de Famalicão, Portugal. / 2019 MADATAC X New Media Arts Festival, Madrid, Spain. / 2018 Athens Digital Arts Festival, Athen, Greece. / 2018 Mitte Media Festival, Berlin, Germany. / 2017 Simultan Festival, Timisoara, Romania. / 2016 Simultan Festival, Timisoara, Romania. / 2016 Brave New World Beyond the Wall, Berlin, Germany. / 2015, 2013 ESPACIO ENTER, Tenerife, Canary Islands, Spain. / 2014 BRAVE NEW WORLD, Berlin, Germany. / 2011 Jyväskylä Art Museum, Jyväskylä, Finland. / 2010 PROCESS Festival, Berlin, Germany. / 2009 RE-NEW Digital Art Festival, Copenhagen, Denmark. / 2002 Free Manifest, Frankfurt am Main, Germany.
Brazil: 2023, 2022, 2020, 2016, 2012, 2011, 2010 FILE (Electronic Language International Festival) São Paulo, Brazil. / 2012 FILE RIO, Rio de Janeiro, Brazil. / 2010 FAD (Festival de Arte Digital), Belo Horizonte, Brazil.
 the Middle East: 2020, 2012 Istanbul Contemporary Art Museum, Turkey. / 2020, 2019 Paadmaan Video Event, Isfahan, Iran.
Asia: 2021 Thailand New Music and Arts Symposium, Bangkok, Thailand. / 2020 the 150th Anniversary Gandhi Event, Kolkata, India. / 2019 Capital Normal University College of Cape Cod, Beijing, China & China University of Mining and Technology Yinchuan College, Yinchuan, China. / 2018 Gunung Sunda Festival, Sukabumi, West Java, Indonesia. / 2016 CeC 2016, North-Eastern Hill University, Shillong, Meghalaya, India. / 2010 Contemporary International New Media Art Invitational, Wuhan University of Technology, China.

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"420 Bee Photos Slideshow" 2011 -
The slide show depends on the day of the week. 60 photos x 7 days


https://kenjikojima.com/
Email: index@kenjikojima.com