/ The Great Depression. / What Madame Cézanne was thinking. /
The Musical Interpretation of Movies by Binary
Alexander Nevsky Battle on The Ice
Casablanca Trailer / Breathless Trailer
Artist: Kenji Kojima, 2023
0:14
04:51
07:25|
Show: Japanese / 日本語
Hide: Japanese / 日本語
アーティストの小島健治は、映像データから音楽を発掘するアートワークを追求してきました。 彼は見ることと聞くことの情報は、重なっていると考えています。 このプロジェクトは3 本のフィルムのビジュアル・データをピアノ音楽として解釈し、それを１本にまとめました。 マテリアルにした映画は「アレクサンドル・ネフスキー」のクリップと、「カサブランカ」「勝手にしやがれ」の予告編です。 21世紀にはすべてのデータがバイナリに変換され、記録されています。 同じデータを異なる出力として使うことができます。 現在は、過去の遺産をデジタルで振り返る時期です。 デジタルアートでは、同じデータを別の形に変換できることが、重要な概念です。 Hide: Japanese / 日本語 The artist Kenji Kojima has been digging music out of visual data. He believes that seeing and hearing overlap information. The project compiled short videos and musical interpretations of the visual data from three movies. The movies were a clip of Alexander Nevsky, and trailers of Casablanca and Breathless. In the 21st century, all data is converted to binary and recorded. We can use the same data as different outputs. It's essential to look back on the legacy of the past digitally now. In digital art, being able to convert the same data into other forms is an important concept. Show: Kenji Kojima's Biography
Hide: Kenji Kojima's Biography
Kenji Kojima is a digital artist. He has been experimenting with the relationships between perception and cognition, technology, music, and visual art since the early 1990s. Primarily he has interested in the relationship between seeing and hearing. He was born in Japan and moved to New York in 1980. He painted egg tempera paintings that were medieval art materials and techniques for the first 10 years in New York City. His paintings were collected by Citibank, Hess Oil, and others. The personal computer improved rapidly during the 1980s. He felt more comfortable with computer art than paintings. He switched His artwork to digital in the early 1990s. His early digital works were archived in the New Museum - Rhizome, New York. He developed the computer software "RGB MusicLab" in 2007 and created an interdisciplinary work exploring the relationship between images and music. He programmed the software “Luce” for the “Techno Synesthesia” project in 2014. His digital art series was exhibited in New York, at media art festivals worldwide, including Europe, Brazil, and Asia, and the online exhibitions by ACM SIGGRAPH and FILE, etc. Anti-nuclear artwork “Composition FUKUSHIMA 2011” was collected in CTF Collective Trauma Film Collections / ArtvideoKoeln in 2015. He started the new series "The Musical Interpretation of Paintings and Photographs" which creates music from image data in 2021. LiveCode programmer. https://kenjikojima.com/ Hide: Kenji Kojima's Biography |