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Project / Random Color Particles Return to Original with Glitch


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Painted by Paul Gauguin, Vincent van Gogh

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Painted by Vincent van Gogh

1. Self-Portrait Painted by Paul Gauguin, Vincent van Gogh / 2:00 / 2025
2. Madame Roulin Painted by Paul Gauguin, Vincent van Gogh / 2:00 / 2025
3. Madame Ginoux Painted by Paul Gauguin, Vincent van Gogh / 2:00 / 2025
4. Sunflowers by Vincent van Gogh,
Vincent van Gogh Painting Sunflowers by Paul Gauguin / 2:00 / 2025

5. Self-Portrait, Gauguin's Armchair by Vincent van Gogh / 2025
6. Self-Portrait with Bandaged Ear Painted by Vincent van Gogh / 2025
7. Portrait of the Postman Joseph Roulin by Vincent van Gogh / 2025
8. Dr. Gachet Glitch by Vincent van Gogh / 2:00 / 2025



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Download: 1920x1080
Self-Portrait Painted by Paul Gauguin, Vincent van Gogh, 111.2 MB
Madame Roulin Painted by Paul Gauguin, Vincent van Gogh, 109.3 MB
Madame Ginoux Painted by Paul Gauguin, Vincent van Gogh, 114.6 MB
Sunflowers by Vincent van Gogh, Vincent van Gogh Painting Sunflowers by Paul Gauguin, 110.4 MB
Self-Portrait, Gauguin's Armchair by Vincent van Gogh, 113.6 MB
Self-Portrait with Bandaged Ear Painted by Vincent van Gogh, 111.2 MB
Dr. Gachet Glitch by Vincent van Gogh, 100.3 MB
Portrait of the Postman Joseph Roulin by Vincent van Gogh, 114 MB

Show: Japanese / 日本語
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1888年、画家のヴィンセント・ヴァン・ゴッホとポール・ゴーギャンは、南フランスのアルルで共同生活を始め、2人は多くの作品を生み出しましたが、芸術性の違いや性格の違いなどから、共同生活はわずか2ヶ月で破綻しました。ポール・ゴーギャンが去った後、ゴッホは自分の耳を切り落としました。
このプロジェクトでは、同じ主題を描いたヴァン・ゴッホのアルルの絵画とポール・ゴーギャンの絵画を、一つのスクリーンに並べて表示します。そして、色を粒子に分解してランダムに再構成し、均質な一つの画面を表示します。最後に、元の画像データをグリッチをを伴いながら置き換えます。21世紀において、あらゆる情報はバイナリで記録されます。この視覚解析が現代アートの意味を持つかは、あなたの美的感覚次第です。

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In 1888, Vincent van Gogh and Paul Gauguin, two artists, began living together in Arles, a city in southern France. During their time together, they created many works of painting. However, their relationship deteriorated after only two months due to differences in their artistic tastes and personalities. After Paul Gauguin left, Van Gogh cut off his ear.
In this project, Van Gogh's Arles paintings and Paul Gauguin's paintings depicting the same subject are displayed side by side on a single screen. The colors are then randomly reassembled into a small mosaic, a homogeneous display by breaking them into particles. Finally, the original image data is replaced with glitches. In the 21st century, all information is recorded in binary. Whether this visual analysis makes sense as contemporary art depends on your aesthetic sense.


Show: Kenji Kojima's Biography
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            Kenji Kojima was born in Japan. He moved to New York in 1980 and began his artistic career in 1980. For the first 10 years in New York City, he painted contemporary egg tempera paintings using medieval art materials and techniques. He was strongly attracted to contemporary art, but he felt stuck in the future of modern civilization and under capitalistic art. He tried to experience the history of the creation of the European concept of art through actual materials and techniques, that is, the history of art that is not written in literature. He was particularly interested in the basic materials of painting, such as ground, pigment, and medium, rather than the visual theme. He noticed in the history of art that as society and people's minds changed, materials developed and visual art changed. His egg tempera paintings have been collected by Citibank, Hess Oil, and others.
            The personal computer improved rapidly during the 1980s. He felt more comfortable with computer art than paintings. Ecologically, he felt guilty about wasting materials in the name of art. Working on the computer was clean, did not waste material, and made him feel lighter. In the early 1990s, he moved his artwork into the digital arts. He was particularly interested in developing interactive artworks. He studied computer programming himself. His early digital works were archived at the New Museum - Rhizome, New York. In 2007, he developed the computer software "RGB MusicLab" and created an interdisciplinary artwork that explores the relationship between images and music. He developed interactive software for his art but soon ran into a big problem: the software would not run on the new operating systems. He converted the artwork to video while the software ran on the operating system. He also started making videos and was interested in ecological art themes. He programmed the software "Luce" for the project "Techno Synesthesia" in 2014. His digital art series has been shown at media art festivals around the world, including Europe1, Brazil2, the Middle East3, Asia4, and the USA, including solo exhibitions in New York City5.
            After Covid-19, he could not go out to shoot a video. He found many archival artworks on the net. In 2021 he started the new series "The Musical Interpretation of Paintings", which creates music from classical image data such as paintings, photographs, and films. The project "Bitwise Splitting and Merging of Pixels" manipulates color pixels by bitwise operation. Generative AI has been greatly improved in 2023. He is considering using Music Generative AI. Kenji Kojima Resume



Digital Art Exhibitions:
the USA: 2024 OtoZono at HEART, New York. / 2024 the New Media Art Space at Baruch College, New York. / 2024 All Street, New York / 2023, 2020 Torrance Art Museum, Los Angeles, USA. / 2023 THE ELASTIC MIND, BROWARD College, Weston, Florida. / 2023 SOJOURNER, New York, NY. / 2022 Asian American International Film Festival, New York, NY. / 2012, 2016 Light Year, Brooklyn, New York. / 2021 UNCG International Sustainability Shorts Film Competition, UNC Greensboro, NC, USA. / 2019 The Harold B. Lemmerman Gallery, New jersey City University, Jersey City, NJ. / 2019, 2016, 2015 Williamsburg Art & Historical Center, New York, NY. / 2018 The Exchange, Bloomsburg, PA. 2018 WhiteBox, New York, NY. / 2015 ACM SIGGRAPH Digital Arts Community. / 2014 MediaNoche, New York, NY. / 2008 AC Institute, New York, NY.
Europe: 2024 Profusion of Colors, A.E. Corner, Galleria di Tirano, Viale Italia / 2024 Summer of Anthropocene, The New Museum of Networked Art, Cologne, Germany / 2024 DIGITAL VIDEO ART INTERNATIONAL STREAMING FESTIVAL 'The films of the Official Selection 2024', Vienna, Austria / 2024 Technocene Berlin Templehof, Germany. / 2024 Open Media Art, Košice, Slovakia / 2024, 2023, 2022, 2020, 2019 Ie Rencontres Internationales Traverse, Toulouse, France. / 2021 FEX comtemporary media art, Cologne, Germany. / 2020 Institut für Alles Mögliche, Stützpunkt Teufelsberg, Belrin, Germany. / 2019 The festival BINNAR, Vila Nova de Famalicão, Portugal. / 2019 MADATAC X New Media Arts Festival, Madrid, Spain. / 2018 Athens Digital Arts Festival, Athen, Greece. / 2018 Mitte Media Festival, Berlin, Germany. / 2017 Simultan Festival, Timisoara, Romania. / 2016 Simultan Festival, Timisoara, Romania. / 2016 Brave New World Beyond the Wall, Berlin, Germany. / 2015, 2013 ESPACIO ENTER, Tenerife, Canary Islands, Spain. / 2014 BRAVE NEW WORLD, Berlin, Germany. / 2011 Jyväskylä Art Museum, Jyväskylä, Finland. / 2010 PROCESS Festival, Berlin, Germany. / 2009 RE-NEW Digital Art Festival, Copenhagen, Denmark. / 2002 Free Manifest, Frankfurt am Main, Germany.
Brazil: 2023, 2022, 2020, 2016, 2012, 2011, 2010 FILE (Electronic Language International Festival) São Paulo, Brazil. / 2012 FILE RIO, Rio de Janeiro, Brazil. / 2010 FAD (Festival de Arte Digital), Belo Horizonte, Brazil.
the Middle East: 2020, 2012 Istanbul Contemporary Art Museum, Turkey. / 2020, 2019 Paadmaan Video Event, Isfahan, Iran.
Asia: 2021 Thailand New Music and Arts Symposium, Bangkok, Thailand. / 2020 the 150th Anniversary Gandhi Event, Kolkata, India. / 2019 Capital Normal University College of Cape Cod, Beijing, China & China University of Mining and Technology Yinchuan College, Yinchuan, China. / 2018 Gunung Sunda Festival, Sukabumi, West Java, Indonesia. / 2016 CeC 2016, North-Eastern Hill University, Shillong, Meghalaya, India. / 2010 Contemporary International New Media Art Invitational, Wuhan University of Technology, China.

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