COMPOSER: KENJI KOJIMA

Golden Afternoon /1:54 by Kenji Kojima, November 2004
The melody was made from the scale of characters of
the prologue “Golden Afternoon” in “Alice’s Adventures in Wonderland”.
The text was converted to the music by Homemade LoopNoMoto, and arranged it in GarageBand.
More details: Please read PMD Grammar below

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This MP3 file is free for use with attribution under a Creative Commons License.



PMD(Play Mid Data) Grammar

Basic Grammar was made by HyperTalk's PLAY command

Pitch name
Do Re Mi Fa Sol La Si = C D E F G A B
sharp C ... C# flat C ... Cb rest ... R

Octabe
from 1 to 8 ( center 4 initially )
center C ... C4 upper C ... C5
with accidental mark ... C#5
If not specify octabe then hand over from prev note.

Absolute pitch by numeric
center C ... 60 D ... 62 D# ... 63
rest ... 0

Note value ( length )
1/1 ... w 1/2 ... h 1/4 ... q 1/8 ... e
1/16 ... s 1/32 ... t 1/64 ... x
dotted note ... Cq. tuplet 3 ... Cq3
If not specify length then hand over from prev note.



***** Extended pmd format *****
( cc# : MIDI's control change number )


-- extended note --

octave
can use octave 0 (zero)


accidental mark
## Double sharp
ex. G## This note is same to A
bb Double flat
ex. Abb This note is same to G
_ Flat ( same to b )
ex A_ This note is equal to Ab
__ Double flat ( same to bb )
ex A__ This note is equal to Abb
^ Natural
ex G^ This note ignores a Alternate command.


extended note value (length)
max 8 dotted.
Cq. = q + q/2 Cq.. = q + q/2 + q/4 Cq... = q + q/2 + q/4 + q/8
any devided beat note.
Cq/5 Cq/7 ets.
length addition.
Cwe = w + e Cwq3 = w + q3


@ gate time
percentage sound of note.
Cq@5 = q/2 sound and q/2 silent.
range 0-20 initially 10
If not specify gate time then hand over from prev note.


V velocity
velocity( volume ) of note.
CqV5 = 1/2 volume
range 0-10 initially 10
If not specify velocity then hand over from prev note.


( ) chord
max 32 notes sound at a time on each parts.
(C E G)q ... C & E & G sound q time.
(C4 E G C5)h ... C & E & G & C5 sound h time.
each notes are able to have those length.
(C E Ge)q ... C & E sound q time. But G sound e time.
each notes are able to have gate time & velocity too.
(C E G@7V5) ... only G, gate time 7 and velocity 5.
those length, gate time and velocity effect only that note.
dont hand over to next note.

A note is ...
note name + octabe + length + gate time + velocity
ex. (C#4qe.@10V10)qe.@10V10



-- part and part option --

$ partition.
C $ D $ G
are 3 parts.
Partition max 32.

instrument option
$1 C $17 C
are Piano and Organ play.

volume option
$V10 nomaly volume.
default 10 renge 0-10


-- attribute commands --

On Octave setting command
ex. O5 Default octave of next note is 5.

Ln Step time ( note length ) setting command
ex. Le Default length of next note is e.

@n Gate time ( sound ratio ) setting command
ex. @7 Default gate-time of next note is 7.

Vn Velocity setting command
ex. V8 Default velocity of next note is 8.



-- effect commands --

M moduration
vibrato effect. ( cc#1 )
depth renge 0-10 default 0 ex. M7
transition time attachable ex. Mq7


Y expression
intonation effect. ( cc#11 )
loud range 0-10 default 10 ex. Y7
transition time attachable ex. Yq7


% pitch bend
pitch control. ( PitchBend )
%10 ... halftone up %20 ... 1tone up %-20 ... 1tone down
default 0
transition time attachable ex. %q60
max +-30 to SMF.


P panpot
position change. ( cc#10 )
range 0(left)-10(right) default 5 ex. P7
transition time attachable ex. Pq7
no effect on 68k with QT instrument.


Z acoustics
Z1 ... reverb on ( cc#91 )
no effect on 68k with QT instrument.
Z0 ... all of acoustics to off.
range 0,1,2,3,4,5 default 0


H pedal hold
H1 ... hold pedal on ( cc#64 )
H0 or H-1 ... pedal off.
range 0,1,2,3,-1,-2,-3 default 0
releace time attachable ex. H1q .. after q pedal off


& portament
portament effect. ( cc#5 )
C &5 D E ... D is C-D, E is D-E pronounce.
range 0(non)-10(transition on all note time) default 0
no effect on chord.


T tempo
change music tempo.
it's relatively by XCMD parameter 'tempo'
Caution: effect to only one part.


-- alternate & key sift command --

Alternate
# Sharp displacement command
ex. #CF C is C#, F is F# after the command
## Double sharp displacement command.
ex. ##F F is G after the command
_ Flat displacement command
ex. _BE B is Bb, E is Eb after the command
__ Double flat displacement command.
ex. _B B is A after the command
^ Natural displacement command ( Cancel alternate )
ex. ^B B is B after the command
If pitch name is omitted then all pitch is changed to natural.
You can join # or _ just after that.
ex. ^#F all pitch is to natural, and displacement F to F#.
Those does not influence a note of numerical value expression. ( 60q as Cq )
Accidental sticking to a note is given priority to.


key shift
~n ex ~12 All note after the command is up to12 half pitch.
ex ~-12 All note after the command is down to12 half pitch
ex ~ (parameter is omitted) All note after the command is changed to origin.



-- comment --

Comment out
bar comment bar ( '|' or '/' ) to next space.
line comment double bar ( '||' or '//' ) to end of line.
block comment '|*' or '/*' to '*|' or '*/'.



-- special comment --

TimeSign '//s '
example: //s 3/4
Only one word after "//s " is effective.
Only one exists in music.
It is written in at SMF as a 'time sign' meta event.

Copytight '//c '
example: //c Chopin / Puppy Waltz
It effective till end of line.
Only one exists in music.
Copyright is written in at movie file and SMF.

Information text '//i '
example: //i Made by UDI with UxPlayMIDI
It effective till end of line.
A music can have some lines.
This text is written in at movie file and SMF.

DataName '//n '
example: //n Puppy Waltz
It effective till end of line.
Only one exists in music.
DataName is written in at movie file ( as FullName ) and SMF ( as Sequence name ).



-- other --

return character is equal space character.
bar ( '|' or '/' ) is equal space character.

Instrument number
GM instrument 1-128
GS instrument 129-16383
drum kit 16385-16441

Volume controls
V velocity ... C5V7 ( range 0-10 initially 10 )
each note's volume.
Y expression command ( range 0-10 initially 10 )
freestyle volume.
$V part volume. ( range 0-10 initially 10 )
barance of some parts.
XCMD parameter 'volume' ( range 0-100 initially 100 )
playing volume.
If all of volumes is initially then normaly volume playing.


-- 'pmd' text file format --

1st line as pmd header.
//pmd,version,tempo,instNum

version 'pmd' version
tempo play speed ( same as XCMD 2nd parameter )
instNum instrument number ( same as XCMD 3rd parameter )


-- devided beat note --

orign divid by indicate1 indicate2
q 3 e3 q/3
q 5 s5 q/5
q 6 s6 q/6
q 7 s7 q/7
q 9 t9 q/9
q 11 t11 q/11

q. 2 q2. q./2
q. 4 e4. q./4
q. 5 e5. q./5
q. 7 s7. q./7
q. 8 s8. q./8
q. 10 s10. q./10


-- distribute --

If you need then free distribute this document.
( You can extract or edit this document. )


PMD was created by UDI
eudio@chabashira.co.jp
http://member.nifty.ne.jp/UDI/

Golden Afternoon by Lewis Carroll

All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.

Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?

Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes
"There will be nonsense in it"--
While Tertia interrupts the tale
Not more than once a minute.

Anon, to sudden silence won,
In fancy they pursue
The dream-child moving through a land
Of wonders wild and new,
In friendly chat with bird or beast--
And half believe it true.

And ever, as the story drained
The wells of fancy dry,
And faintly strove that weary one
To put the subject by,
"The rest next time"--"It is next time!"
The happy voices cry.

Thus grew the tale of Wonderland:
Thus slowly, one by one,
Its quaint events were hammered out--
And now the tale is done,
And home we steer, a merry crew,
Beneath the setting sun.

Alice! a childish story take,
And with a gentle hand
Lay it where Childhood's dreams are twined
In Memory's mystic band,
Like pilgrim's withered wreath of flowers
Plucked in a far-off land.